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Theatricality and dramatic vocabulary in Plutarch's Moralia

dc.contributor.authorPapadi, Diotima
dc.date.accessioned2015-12-09T08:53:49Z
dc.date.available2015-12-09T08:53:49Z
dc.date.issued2005
dc.identifier.citationSociedad Española de Plutarquistasen_UK
dc.identifier.isbn9788460802686
dc.identifier.urihttp://hdl.handle.net/11728/6428
dc.description.abstractTheatre and drama deserve a special place among the various influences on Plutarch, since the theatre has a double impact. Its capacity to both offer good teaching material in its substance and good literary models makes tragedy one of the most popular sources of Plutarch’s quotations. Apart from all the explicit quotations from the famous tragic and comic poets, there is so much theatricality and dramatic tension in his work that it is not unreasonable to think about the way these dramatic elements served Plutarch’s objectives, both stylistic-rhetorical objective and ethical-educational objectives. For Plutarch’s ethical and educational aims rank highly in his writings.en_UK
dc.language.isoenen_UK
dc.relation.ispartofseriesPlutarc a la seva epoca:paideia i societat;actas del VIII Simposio Espanol Sobre Plutarco (Barcelona, 6-8 de Noviembre de 2003)
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/en_UK
dc.subjectResearch Subject Categories::HUMANITIES and RELIGIONen_UK
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::History and philosophy subjectsen_UK
dc.subjectPlutarchen_UK
dc.titleTheatricality and dramatic vocabulary in Plutarch's Moraliaen_UK
dc.title.alternativeHow to tell a flaterrer from a frienden_UK
dc.typeWorking Paperen_UK


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